Grégoire Pasquier
I have bought a whole acoustic kit back in 2010 when I got into mixing and mastering. Eight years later it remains the best investment I have ever made. When I moved to a different place two years ago, I could simply move all elements...
Ingo Herzmaier
Since I’m a saxophone player, I needed a rehearsal room that sounds as natural as possible, but still dry enough to record music. Daniel Burger from HOFA-Akustik explained the effect of the acoustic elements to me, helped me out with a 3D model of my...
Stefan Weinzierl (© Cultural management Hamburg)
As a classical percussionist, I need a studio room which sounds as natural as possible. That‘s the only way to show the different tonal colors and timbres of my marimba, vibraphone, timpani and other percussion instruments. And of course I want to have a balanced...
Gleb Lasarew
I primarily produce and mix electronic music in my studio and also hold workshops about music production. When I moved to a new room this year, good acoustics were really important to me. Since the issue is really big and complex, I decided to look...
MAIBA
As DJ, singer, songwriter and producer I’m working on the perfect sound everyday. The acoustics of a room plays a major role in the process. After the reconstruction of my studio I asked HOFA to equip my room with several acoustic modules. The result is...
Östringen Municipal Music and Art School
Regarding the acoustics, the classrooms in our music school were in a very critical state. Several students and teachers complained about the long reverberation time. Subsequently we consulted HOFA-Akustik. They made acoustics measurements and planings and sent us a comprehensive report with an intelligent approach....